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Common Ground (vinyl re-issue)

The New Gary Burton Quartet

Common Ground (vinyl re-issue)

Price: € 40.95
Format: LP 12inch
Label: Mack Avenue
UPC: 0673203106178
Catnr: MACLP 1061
Release date: 05 April 2024
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2 LP 12inch
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€ 40.95
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Label
Mack Avenue
UPC
0673203106178
Catalogue number
MACLP 1061
Release date
05 April 2024
Album
Artist(s)
Composer(s)
EN

About the album

On Gary Burton’s debut release on Mack Avenue Records Common Ground, the Grammy®-winning pioneer of the four-mallet technique of playing the vibes not only delivered his first studio album since 2005, but also introduced his latest band.

Artist(s)

The New Gary Burton Quartet

The quartet served as a reunion of Lage with Burton, who has known the guitarist since he was a teen wunderkind and has featured him in his bands up until three years ago. (During the hiatus from working together, Burton was focusing on revisiting the 1973 chamber jazz classic Crystal Silence duo with Chick Corea, while Lage finished college and worked on his long-awaited debut album, Sounding Point.) 'Julian has matured so much since I first met him 10 years ago when he was 12 years old,' Burton says. 'Julian has kept on growing and developing a sound of his own. He's a knock out.' Lage fills the quartet guitar chair that was once held by such rising-star six-stringers as...
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The quartet served as a reunion of Lage with Burton, who has known the guitarist since he was a teen wunderkind and has featured him in his bands up until three years ago. (During the hiatus from working together, Burton was focusing on revisiting the 1973 chamber jazz classic Crystal Silence duo with Chick Corea, while Lage finished college and worked on his long-awaited debut album, Sounding Point.) "Julian has matured so much since I first met him 10 years ago when he was 12 years old," Burton says. "Julian has kept on growing and developing a sound of his own. He's a knock out." Lage fills the quartet guitar chair that was once held by such rising-star six-stringers as Pat Metheny, John Scofield and Kurt Rosenwinkel, among others.
Formed in 2010, the new quartet's first gig took place in August at the Red Sea Jazz Festival, and then took New York by storm with a weeklong, sold-out engagement at the Blue Note from October 19-24. After that, the group toured, road tested their material and entered the studio in New York for a three-day session December 4-6 to record Common Ground. Burton and his longtime manager, Ted Kurland, approached the Mack Avenue team (many of whom are long-standing friends) - Al Pryor (EVP of A&R), Denny Stilwell (President) and Randall Kennedy (VP of Marketing) - about the new band and proposed recording an album showcasing it. "They were keenly interested," says Burton, who also serves as the album's producer. "And the band was excited. They're all talented composers and brought music to the group that really stands out."
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Composer(s)

Gary Burton

Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone and, at the age of 17, made his recording debut in Nashville, Tennessee, with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and subsequently Stan Getz, with whom he worked from 1964-1966. As a member of Getz’s quartet, Burton won Down Beat magazine’s Talent Deserving of Wider Recognition award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had also recorded three albums under his name for RCA. Borrowing rhythms and sonorities from rock music, while maintaining jazz’s emphasis on improvisation and harmonic complexity,...
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Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone and, at the age of 17, made his recording debut in Nashville, Tennessee, with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and subsequently Stan Getz, with whom he worked from 1964-1966. As a member of Getz’s quartet, Burton won Down Beat magazine’s Talent Deserving of Wider Recognition award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had also recorded three albums under his name for RCA. Borrowing rhythms and sonorities from rock music, while maintaining jazz’s emphasis on improvisation and harmonic complexity, Burton’s first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon.

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